Spring, 1959. A small hotel on an islet off Mallorca. A storm cuts the place off from the mainland. Thirteen people are stuck inside, and one of them, a quiet English tourist named Elisa Mander, turns up dead. The police shrug it off as suicide. Then someone looks closer, and the “suicide” starts smelling like…
Still with me? Good, because we need to talk. I’ve watched a lot of locked-room mysteries, and most of them end the same way: the detective gathers everyone in a drawing room, points a finger, and the culprit crumbles. The Final Problem does none of that. It gives you the puzzle, solves it, and then…
I went into The Final Problem expecting a tidy locked-room puzzle with a nice period hat on it. Four episodes later I was staring at the credits, mildly annoyed and completely hooked. Netflix dropped this Spanish thriller on September 25, 2026, and it has been rattling around my head ever since. Here’s what happens, who…
Let’s get the elevator pitch out of the way, because it’s ridiculous in the best and worst ways: a neurotic dad sneaks his 13-year-old into Rolling Loud Miami, loses him within minutes, and spends one long night tearing through the crowd to get him back. Owen Wilson is the dad. Matt Rife is the walking…
I did not have “Owen Wilson gets trapped inside a Travis Scott crowd surge” on my 2026 bingo card. Nobody did. And yet here we are, three days out from Rolling Loud: The Movie, and my group chats are split into two camps: people who cannot wait, and people who keep saying “this is going…
I’ve watched enough movies to know when a premise sounds like a bad joke and when it sounds like a good bad joke. Rolling Loud: The Movie is the second kind. An uptight dad takes his 13-year-old to the biggest hip-hop festival on the planet, loses him during a Travis Scott set, and has to…
I need to talk about this because I have been staring at trailers, red carpet clips, and Reddit threads for days now and I cannot stop thinking about it. Alejandro G. Iñárritu — the guy who gave us Birdman and The Revenant — just teamed up with Tom Cruise for something called Digger, and it…
Let’s get one thing out of the way first: nobody expected this. Not this version of Tom Cruise, not this version of Alejandro G. Iñárritu, and definitely not a movie where the promotional material made half of Film Twitter genuinely believe it was secretly a musical. Digger premiered in London on September 22, 2026, and…
Let’s get one thing straight: nobody saw this coming. Alejandro G. Iñárritu — the guy behind Birdman and The Revenant, two of the most emotionally punishing films of the last decade — teaming up with Tom Cruise for a satirical black comedy about billionaires and climate collapse? That’s not a pairing anyone had on their…